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夫兩者各得所欲，大者宜為下。

老子

衡量一個(gè)領(lǐng)導(dǎo)者的真正標(biāo)準(zhǔn)不是他們有多少追隨者，而是他們培養(yǎng)了多少領(lǐng)導(dǎo)者。

The true measure of a leader is not how many followers they have, but how many leaders they create.

西蒙·西格斯

我們的生活都被耗費(fèi)在細(xì)節(jié)上……簡單，再簡單。

梭羅

人們太脆弱了才撒謊，甚至是對自己撒謊。

黑澤明

我的普世智慧是一系列思維模型，它們像網(wǎng)格一樣幫助我解決關(guān)鍵的商業(yè)問題。

查理·芒格

Psychological concepts must prove their worth in action.

心理學(xué)概念必須在行動(dòng)中證明其價(jià)值。

馬克斯·維斯塔潘

Tragic art, as it developed in the theaters of ancient Greece, in the fifth century B.C., was essentially an art form devoted to tracing how people fail, and also according them a level of sympathy, which ordinary life would not necessarily accord them. A few years ago, I was thinking about this, and I went to "The Sunday Sport," a tabloid newspaper I don't recommend you start reading if you're not familiar with it already.

悲劇的藝術(shù)來自古希臘。西元前五世紀(jì)，這是一個(gè)專屬于描繪人類失敗過程的藝術(shù)，同時(shí)也加入某種程度的同情。在現(xiàn)代生活并不常給于同情時(shí)，幾年前我思考著這件事，我去見“周日運(yùn)動(dòng)期刊”，如果你還不認(rèn)識(shí)這個(gè)小報(bào)，我建議你也別去讀。