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關于納丁·戈迪默的名人名言哲理格言警句語錄 - 每日文摘
納丁·戈迪默 1991年獲諾貝爾文學獎

納丁·戈迪默（Nadine 'Gordimer，1923年11月20日–2014年7月13日），南非女作家，主要作品有小說《七月的人民》《無人伴隨我》。1991年，作品《七月的人民》獲諾貝爾文學獎。

作家是由他的主題選擇的——他的主題是他自己時代的意識。
A writer is selected by his subject—his subject being the consciousness of his own era.
事實總是少于真正發(fā)生的事情。
The facts are always less than what really happened.
The facts are always less than what really happened.
事實總是少于真正發(fā)生的事情。
我從不考慮未來。未來很快就會到來。
I never think about the future. It comes soon enough.
I never think about the future. It comes soon enough.
我從不考慮未來。未來很快就會到來。
寫作是對生活的理解。你工作了一輩子，也許你只理解了生活的一小部分。
Writing is making sense of life. You work your whole life and perhaps you've made sense of one small area.
作家是一個精神上的無政府主義者，就像每個人靈魂深處都是。他對一切和每個人都感到不滿。作家是每個人的替罪羊，也是每個人的先知。
The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's scapegoat and everybody's prophet.
The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's scapegoat and everybody's prophet.
作家是一個精神上的無政府主義者，就像每個人靈魂深處都是。他對一切和每個人都感到不滿。作家是每個人的替罪羊，也是每個人的先知。
寫作是一種樂觀的行為。如果你覺得它不重要，你就不會費心去做。
The act of writing is an act of optimism. You would not take the trouble to do it if you felt it didn't matter.
The act of writing is an act of optimism. You would not take the trouble to do it if you felt it didn't matter.
寫作是一種樂觀的行為。如果你覺得它不重要，你就不會費心去做。
作家不能僅僅是一個講故事的人；他不能僅僅是一個教師；他不能僅僅是一個娛樂者。他必須是所有這些，甚至更多。
The writer cannot be a mere storyteller; he cannot be a mere teacher; he cannot be a mere entertainer. He must be all of these and more.
The writer cannot be a mere storyteller; he cannot be a mere teacher; he cannot be a mere entertainer. He must be all of these and more.
作家不能僅僅是一個講故事的人；他不能僅僅是一個教師；他不能僅僅是一個娛樂者。他必須是所有這些，甚至更多。
作家不過是一個用文字代替搖鼓和鼓聲的薩滿。
What is a writer but a shaman who uses words instead of rattles and drums?
What is a writer but a shaman who uses words instead of rattles and drums?
作家不過是一個用文字代替搖鼓和鼓聲的薩滿。
創(chuàng)作行為并不純粹。歷史證明了這一點。意識形態(tài)要求它。社會強求它。藝術家在創(chuàng)作藝術作品的那一刻就失去了自由。
The creative act is not pure. History evidences it. Ideology demands it. Society exacts it. The artist loses his freedom the moment he creates a work of art.
The creative act is not pure. History evidences it. Ideology demands it. Society exacts it. The artist loses his freedom the moment he creates a work of art.
創(chuàng)作行為并不純粹。歷史證明了這一點。意識形態(tài)要求它。社會強求它。藝術家在創(chuàng)作藝術作品的那一刻就失去了自由。
作家是由他的主題選擇的——他的主題是他所處時代的意識。
A writer is selected by his subject—his subject being the consciousness of his own era.
A writer is selected by his subject—his subject being the consciousness of his own era.
作家是由他的主題選擇的——他的主題是他所處時代的意識。
事實上，每個作家都會創(chuàng)造自己的先驅(qū)。他的作品會改變我們對過去的理解，也會改變未來。
The fact is that every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future.
The fact is that every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future.
事實上，每個作家都會創(chuàng)造自己的先驅(qū)。他的作品會改變我們對過去的理解，也會改變未來。
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